#darbarfestival | Niladri Kumar’s virtuosic take on the afternoon Raag Bhimpalasi, running up and down his sitar’s fretboard at lightning speed at Darbar Festival 2014.
Learn more about the music:
Niladri Kumar is known for his expansive modern sitar style, stretching the boundaries of classical music. Trained under his father, a disciple of Ravi Shankar, he was recognised as a prodigy. He has since developed an extraordinary technical command of his instrument, complete with dextrous double stops, whispering string bends, and rapid taans [fast improvised lines]. He makes forays into film composition and is the inventor of the ‘zitar’ - a hybrid of electric guitar and sitar. Today he tours extensively with Zakir Hussain’s groups as well as a solo artist. Listen to more of Niladri here:
-Shree | • Genius of Niladri Kumar | Raag Shree ...
-Bhairavi | • Raag Bhairavi | Niladri Kumar & Pandi...
-Explaining his unique sound | • Video
Bhimpalasi is an afternoon raga, said to evoke sringara [attraction, romantic love]. It uses the notes of Kafi thaat, with an aroha [ascent] of nSgmPnS and an avroh [descent] of SnDPmgRS. Characteristically, Dha and Re only appear in the descending line, and tend to be approached from the notes immediately above. Ma is the vadi [king note]. It is similar in shape to the Western Dorian mode, and the closest Carnatic raga is Abheri. Hear a playlist of Bhimpalasi performances here: • Amazing Sarod | Raag Bhimpalasi | Deb...
Recorded at Darbar on 21 Sep 2014, at London’s Southbank Centre
-Niladri Kumar (sitar)
-Subhankar Banerjee (tabla)
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